Los Dibujitos como sujetos políticos emergentes: Anonimato, performatividad y reconfiguración de la esfera pública en el Perú digital
Resumen
En el contexto de las democracias contemporáneas, donde las formas tradicionales de participación política muestran signos de agotamiento, la aparición de colectivos digitales anónimos plantea interrogantes urgentes para la teoría social. En ese contexto, el presente artículo tiene por objetivo analizar el caso de los Dibujitos en el Perú, como una manifestación de prácticas digitales articuladas desde el anonimato, la ironía y la performatividad, que tensiona las categorías clásicas de identidad, representación y liderazgo. A partir de un enfoque teórico-conceptual, se examinan las limitaciones de los marcos analíticos heredados, particularmente la distinción entre acción colectiva y conectiva, para lo cual se plantea una propuesta epistemológica que reconoce la afectividad, el simulacro y la fragmentación como dimensiones constitutivas de una nueva politicidad. Como resultado, se introducen tres nociones clave: la acción colectiva performativa, la ciudadanía post-westfaliana y los capitales digitales (memético y técnico), categorías que permiten comprender cómo opera el poder simbólico en escenarios marcados por la descentralización y la opacidad. Lejos de constituir un fenómeno excéntrico o episódico, los Dibujitos revelan una transformación más amplia en los modos de hacer política, lo que nos obliga a repensar la esfera pública desde una mirada crítica, atenta tanto a la potencia disruptiva de lo marginal como a los riesgos de su posible captura.
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