Envíe este artículo por correo electrónico 
Ocultar
Mostrar todos
Análisis bibliométrico de la producción científica sobre streaming de videojuegos en Twitch
Resumen
artículos muestran creciente interés desde 2016. A partir de 2020, se enfoca en motivaciones, comportamientos y relaciones de espectadores. Se profundiza en significados asociados al consumo, interacción, compromiso, toxicidad y moderación en los streaming. Se exploran culturas minoritarias como la comunidad queer y mujeres streamers. Se conceptualiza el fenómeno y su monetización. Se refleja desigualdades sociales evidentes en la producción del campo, con predominio asiático, estadounidense e inglés, y escasa representación latina y femenina. Se sugiere explorar la cultura de streaming en América Latina para entender mejor el fenómeno, considerando a los espectadores hispanohablantes en segundo lugar en Twitch.
Palabras clave
Referencias
Anderson, S. L. (2017). Watching people is not a game: Interactive online corporeality, Twitch. tv and videogame streams. Game Studies, 17(1), 1-16. https://gamestudies.org/1701/articles/anderson
Cabeza-Ramírez, L. J., Muñoz-Fernández, G. A., & Santos-Roldán, L. (2021, February). Video game streaming in young people and teenagers: Uptake, user groups, dangers, and opportunities. In Healthcare (Vol. 9, No. 2, p. 192). MDPI. https://10.3390/healthcare9020192
Cabeza-Ramírez, L. J., Sánchez-Cañizares, S. M., & Fuentes-García, F. J. (2020). Motivations for the use of video game streaming platforms: The moderating effect of sex, age and self-perception of level as a player. International journal of environmental research and public health, 17(19), 7019. https://10.3390/ijerph17197019
Cabezas, L., Sánchez, S. & Fuentes, F. (2020). Motivations for the use of video game streaming platforms: The moderating effect of sex, age and self-perception of level as a player. International journal of environmental research and public health, 17(19), 7019.https://10.3390/ijerph17197019
Carter, M., & Egliston, B. (2021). The work of watching Twitch: Audience labour in livestreaming and esports. Journal of Gaming & Virtual Worlds, 13(1), 3-20. https://10.1386/JGVW_00025_1
Chae, S. W., & Lee, S. H. (2022). Sharing emotion while spectating video game play: Exploring Twitch users' emotional change after the outbreak of the COVID-19 pandemic. Computers in human behavior, 131, 107211. https://10.1016/j.chb.2022.107211
Chen, C. Y., & Chang, S. L. (2019). Moderating effects of information-oriented versus escapism-oriented motivations on the relationship between psychological well-being and problematic use of video game live-streaming services. Journal of behavioral addictions, 8(3), 564-573. https://10.1556/2006.8.2019.34
Chen, W. K., Chen, L. S., & Pan, Y. T. (2021). A text mining-based framework to discover the important factors in text reviews for predicting the views of live streaming. Applied Soft Computing, 111, 107704. https://10.1016/j.asoc.2021.107704
Churchill, B. C., & Xu, W. (2016, October). The modem nation: A first study on Twitch. TV social structure and player/game relationships. In 2016 IEEE international conferences on big data and cloud computing (BDCloud), social computing and networking (SocialCom), sustainable computing and communications (SustainCom)(BDCloud-SocialCom-SustainCom) (pp. 223-228). IEEE. https:// 10.1109/BDCloud-SocialCom-SustainCom.2016.43
Coavoux, S., & Roques, N. (2020). Une profession de l’authenticité: Le régime de proximité des intermédiaires du jeu vidéo sur Twitch et YouTube 1. Réseaux, (6), 169-196. https://10.3917/res.224.0169
Consalvo, M., Boudreau, K., Bowman, N., & Phelps, A. (2023). Fame! I wanna stream forever: Analysis and critique of successful streamers' advice to the next generation. In T. X. Bui (Ed.), Proceedings of the 56th Annual Hawaii International Conference on System Sciences, HICSS 2023 (pp. 2326-2335). IEEE Computer Society.
Cullen, A. L., & Kairam, S. R. (2022). Practicing moderation: Community moderation as reflective practice. Proceedings of the ACM on Human-computer Interaction, 6(CSCW1), 1-32. https://10.1145/3512958
Gandhi, R., Cook, C. L., LaMastra, N., Uttarapong, J., & Wohn, D. Y. (2021). An exploration of mental health discussions in live streaming gaming communities. Frontiers in psychology, 12, 575653. https://10.3389/fpsyg.2021.575653
Gandolfi, E. (2016). To watch or to play, it is in the game: The game culture on Twitch. tv among performers, plays and audiences. Journal of gaming & virtual worlds, 8(1), 63-82. https://10.1386/jgvw.8.1.63_1
Gandolfi, E. (2018). Enjoying death among gamers, viewers, and users: A network visualization of Dark Souls 3’s trends on Twitch. tv and Steam platforms. Information Visualization, 17(3), 218-238. https://10.1177/1473871617717075
Gandolfi, E., & Ferdig, R. E. (2022). Sharing dark sides on game service platforms: Disruptive behaviors and toxicity in DOTA2 through a platform lens. Convergence, 28(2), 468-487. https://10.1177/13548565211028809
Garvey, K. (2023). Reimagining “True Gamers” via Twitch Platform Tool. En Bui (Ed.), Proceedings of the 56thAnnual Hawaii International Conference on System Sciences (pp. 2336). HICSS.
Gros, D., Hackenholt, A., Zawadzki, P., & Wanner, B. (2018). Interactions of Twitch users and their usage behavior. In Social Computing and Social Media. Technologies and Analytics: 10th International Conference, SCSM 2018, Held as Part of HCI International 2018, Las Vegas, NV, USA, July 15-20, 2018, Proceedings, Part II 10 (pp. 201-213). Springer International Publishing. https://doi.org/10.1007/978-3-319-91485-5_15
Gutiérrez, J. y Cuartero, A. (2020). El auge de Twitch: nuevas ofertas audiovisuales y cambios del consumo televisivo entre la audiencia juvenil. Ámbitos. Revista internacional de comunicación, (50), 159-175. https://doi.org/10.12795/Ambitos.2020.i50.11
Houssard, A., Pilati, F., Tartari, M., Sacco, P. L., & Gallotti, R. (2023). Monetization in online streaming platforms: an exploration of inequalities in Twitch. tv. Scientific Reports, 13(1), 1103. https://10.1038/s41598-022-26727-5
Jenkins, H. (2009). Fans, blogueros y videojuegos: la cultura de la colaboración (Vol. 180). Grupo Planeta (GBS).
Jodén, H., & Strandell, J. (2022). Building viewer engagement through interaction rituals on Twitch. tv. Information, Communication & Society, 25(13), 1969-1986. https://10.1080/1369118X.2021.1913211
Johnson, M. R. (2021). Behind the streams: The off-camera labour of game live streaming. Games and Culture, 16(8), 1001-1020. https://10.1177/15554120211005239
Johnson, M. R. (2022). Humour and comedy in digital game live streaming. New Media & Society, https://14614448221095160.
Johnson, M. R., & Jackson, N. J. (2022). Twitch, Fish, Pokémon and Plumbers: Game live streaming by nonhuman actors. Convergence, 28(2), 431-450. https://10.1177/13548565221074804
Johnson, M. R., & Woodcock, J. (2019a). The impacts of live streaming and Twitch. tv on the video game industry. Media, Culture & Society, 41(5), 670-688. https://10.1177/0163443718818363
Johnson, M. R., & Woodcock, J. (2019b). ‘It’s like the gold rush’: the lives and careers of professional video game streamers on Twitch. tv. Information, Communication & Society, 22(3), 336-351. https://10.1080/1369118X.2017.1386229
Kim, H., & Kim, M. (2023). Viewership motivations of live game streaming via over-the-top apps: measurement scale development and validation. International Journal of Human–Computer Interaction, 39(10), 2102-2114. https://10.1080/10447318.2022.2074644
Kim, J., Wohn, D. Y., & Cha, M. (2022). Understanding and identifying the use of emotes in toxic chat on Twitch. Online Social Networks and Media, 27, 100180.
https://10.1016/j.osnem.2021.100180
Koay, K. Y., Teoh, J. Y., & Cheung, M. L. (2023). Understanding factors influencing viewers’ intention to watch video game live streaming on Twitch: Combined use of PLS-SEM and NCA. First Monday, 28(5). https://10.5210/fm.v28i5.12644
Kowert, R., & Daniel Jr, E. (2021). The one-and-a-half sided parasocial relationship: The curious case of live streaming. Computers in human behavior reports, 4, 100150. https://10.1016/j.chbr.2021.100150
Li, Y., Kou, Y., Lee, J. S., & Kobsa, A. (2018). Tell me before you stream me: Managing information disclosure in video game live streaming. Proceedings of the ACM on Human-Computer Interaction, 2(CSCW), 1-18. https://10.1145/3274376
Li, Y., Wang, C., & Liu, J. (2020). A systematic review of literature on user behavior in video game live streaming. International journal of environmental research and public health, 17(9), 3328. https:// 10.3390/ijerph17093328
Mancini, M., Cherubino, P., Cartocci, G., Martinez, A., Di Flumeri, G., Petruzzellis, L., ... & Babiloni, F. (2022). Esports and Visual Attention: Evaluating In-Game Advertising through Eye-Tracking during the Game Viewing Experience. Brain Sciences, 12(10), 1345. https://10.3390/brainsci12101345
Matsui, A., Sapienza, A., & Ferrara, E. (2020). Does streaming esports affect players’ behavior and performance?. Games and Culture, 15(1), 9-31. https://10.1177/1555412019838095
Mihailova, T. (2022). Navigating ambiguous negativity: A case study of Twitch. tv live chats. New Media & Society, 24(8), 1830-1851. https://10.1177/1461444820978999
Montardo, S. P., Fragoso, S. D., Cruz, M. A., & Paz, S. (2017). Consumo digital como performance sociotécnica: Análise dos usos da plataforma de streaming de games Twitch. Comunicação, mídia e consumo. São Paulo. Vol. 14, n. 40 (maio/ago. 2017), p. 46-69. https://10.18568/cmc.v14i40.1301
Nematzadeh, A., Ciampaglia, G. L., Ahn, Y. Y., & Flammini, A. (2019). Information overload in group communication: From conversation to cacophony in the twitch chat. Royal Society open science, 6(10), 191412. https://10.1098/rsos.191412
Obreja, D. M. (2021). Toward a multidimensional streaming: A thematic case study of two Twitch channels. new media & society, 25(6), 1354-1373. https://10.1177/14614448211020692
Olivares-García, F. J., & Majuelos, I. M. (2022). Journalists and communicators on Twitch: media beyond social networks. Analisi, 45-61. https://10.5565/REV/ANALISI.3473
Payne, K., Keith, M. J., Schuetzler, R. M., & Giboney, J. S. (2017). Examining the learning effects of live streaming video game instruction over Twitch. Computers in Human Behavior, 77, 95-109. https://10.1016/j.chb.2017.08.029
Persaud, C. J., & Perks, M. E. (2022). Beauty From the Waist Up: Twitch Drag, Digital Labor, and Queer Mediated Liveness. Television & New Media, 23(5), 475-486. https://10.1177/15274764221080912
Pollack, C. C., Gilbert-Diamond, D., Emond, J. A., Eschholz, A., Evans, R. K., Boyland, E. J., & Masterson, T. D. (2021). Twitch user perceptions, attitudes and behaviours in relation to food and beverage marketing on Twitch compared with YouTube. Journal of nutritional science, 10, e32. https://10.1017/jns.2021.22
Pollack, C. C., Kim, J., Emond, J. A., Brand, J., Gilbert-Diamond, D., & Masterson, T. D. (2020). Prevalence and strategies of energy drink, soda, processed snack, candy and restaurant product marketing on the online streaming platform Twitch. Public Health Nutrition, 23(15), 2793-2803. https://10.1017/S1368980020002128
Poveda, M. Á. C. (2022). Las narrativas periodísticas de la plataforma twitch en medios de comunicación. VISUAL REVIEW. International Visual Culture Review/Revista Internacional de Cultura Visual, 10(3), 1-8. https://10.37467/REVVISUAL.V9.3608
Qian, T. Y. (2022). Watching sports on Twitch? A study of factors influencing continuance intentions to watch Thursday Night Football co-streaming. Sport Management Review, 25(1), 59-80. https://10.1080/14413523.2021.1930700
Rodríguez, S., & Cercato, M. G. (2020). Consumos juveniles durante el ASPO: análisis de usos y prácticas dentro de la plataforma Twitch. Actas de Periodismo y Comunicación Social, 6. https://sedici.unlp.edu.ar/handle/10915/124122
Ruvalcaba, O., Shulze, J., Kim, A., Berzenski, S. R., & Otten, M. P. (2018). Women’s experiences in eSports: Gendered differences in peer and spectator feedback during competitive video game play. Journal of Sport and Social Issues, 42(4), 295-311. https://10.1177/0193723518773287
Scolari, C. A. (2012). Media ecology: Exploring the metaphor to expand the theory. Communication theory, 22(2), 204-225. https://doi.org/10.1111/j.1468-2885.2012.01404.x
Sheng, J. T., & Kairam, S. R. (2020). From virtual strangers to irl friends: relationship development in livestreaming communities on twitch. Proceedings of the ACM on Human-Computer Interaction, 4(CSCW2), 1-34. https://10.1145/3415165
Sjöblom, M., & Hamari, J. (2017). Why do people watch others play video games? An empirical study on the motivations of Twitch users. Computers in human behavior, 75, 985-996. https://10.1016/j.chb.2016.10.019
Sjöblom, M., Törhönen, M., Hamari, J., & Macey, J. (2019). The ingredients of Twitch streaming: Affordances of game streams. Computers in Human Behavior, 92, 20-28. https://10.1016/j.chb.2018.10.012
Speed, A., Burnett, A., & Robinson II, T. (2023). Beyond the Game: Understanding why people enjoy viewing Twitch. Entertainment Computing, 45, 100545. https://10.1016/j.entcom.2022.100545
Thach, H., Mayworm, S., Delmonaco, D., & Haimson, O. (2022). (In) visible moderation: A digital ethnography of marginalized users and content moderation on Twitch and Reddit. new media & society, 14614448221109804. https://10.1177/14614448221109804
Thambusamy, R., & Church, E. M. (2023). “Nerds of a Feather”: Homophilic Drivers of Worldwide Video Game Viewership on Twitch. Journal of Global Information Technology Management, 26(3), 197-223. https://10.1080/1097198X.2023.2235231
Törhönen, M., Sjöblom, M., Hassan, L., & Hamari, J. (2020). Fame and fortune, or just fun? A study on why people create content on video platforms. Internet Research, 30(1), 165-190. https://10.1108/INTR-06-2018-0270
Twitch Tracker (14 de junio de 2023). Twitch statistics & charts.
https://twitchtracker.com/statistics
Watanabe, N. M., Xue, H., Newman, J. I., & Yan, G. (2022). The attention economy and esports: An econometric analysis of Twitch viewership. Journal of Sport Management, 36(2), 145-158. https://10.1123/jsm.2020-0383
Wolff, G. H., & Shen, C. (2022). Audience size, moderator activity, gender, and content diversity: Exploring user participation and financial commitment on Twitch. tv. new media & society. https://14614448211069996.
Woodcock, J., & Johnson, M. R. (2019). The affective labor and performance of live streaming on Twitch. tv. Television & New Media, 20(8), 813-823. https://10.1177/1527476419851077
Wulf, T., Schneider, F. M., & Beckert, S. (2020). Watching players: An exploration of media enjoyment on Twitch. Games and culture, 15(3), 328-346. https://10.1177/1555412018788161
Wulf, T., Schneider, F. M., & Queck, J. (2021). Exploring viewers' experiences of parasocial interactions with videogame streamers on twitch. Cyberpsychology, Behavior, and Social Networking, 24(10), 648-653. https://10.1089/cyber.2020.0546
Youngblood, J. (2022). A Labor of (Queer) Love: Maintaining “Cozy Wholesomeness” on Twitch During COVID-19 and Beyond. Television & New Media, 23(5), 531-541. https://10.1177/15274764221080966
Zhao, K., Hu, Y., Hong, Y., & Westland, J. C. (2019). Understanding characteristics of popular streamers on live streaming platforms: Evidence from Twitch. tv. Journal of the Association for Information Systems, Forthcoming. https://10.17705/1jais.00689
PAAKAT: Revista de Tecnología y Sociedad, año 14, número 27, septiembre 2024- febrero de 2025, es una publicación electrónica semestral editada por la Universidad de Guadalajara, a través de Centro Universitario de Guadalajara. Calle Guanajuato. Núm. 1045; Guadalajara, Jalisco, México. Tels. 33 31 34 22 22. Dirección electrónica: http://www.udgvirtual.udg.mx/paakat/index.php/paakat. Correo electrónico:paakat@cugdl.udg.mx paakat.asistente.editorial@cugdl.udg.mx Editor responsable: Dr. Lázaro Marcos Chávez Aceves. Número de Reserva de Derechos al Uso Exclusivo del Título de la versión electrónica: 04-2011-111117155600-203, e-ISSN: 2007-3607, otorgados por el Instituto Nacional del Derecho de Autor. Responsable de la última actualización de este número: Centro Universitario de Guadalajara, Lázaro Marcos Chávez Aceves. Fecha de la última modificación: 1 de Diciembre de 2024.
Las opiniones expresadas por los autores no necesariamente reflejan la postura del editor de la publicación.
Esta obra está bajo Licencia Creative Commons Atribución-NoComercial 4.0 Internacional.
